LOGOI

The corpus record

πᾰν-αρμόνιος

panarmonios

embracing all modes

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What it meant

πᾰν-αρμόνιος · pan-armonios — LSJ

embracing all modes, scales

embracing all modes or scales, in neut. of a style of Music, οὐκ ἄρα πολυχορδίας γε οὐδὲ παναρμονίου ἡμῖν δεήσει ἐν ταῖς ᾠδαῖς τε καὶ μέλεσι Pl. R. 399c, cf. 404d; [ὄργανα] π. ib. 399d; αὐτὰ τὰ π. ibid.; τὸ π. τὸ καινόν Alex. 298; π. ὄργανον D.C. 74.3.

II complex, elaborate

metaph., complex, elaborate, ποικίλῃ μὲν ποικίλους ψυχῇ καὶ π. διδοὺς λόγους opp. ἁπλοῦς, Pl. Phdr. 277c, cf. Iamb. Myst. 5.21; π. τι χρῆμα ἡ ὄρχησις Luc. Salt. 72; ψυχαὶ π. διὸ παντοδαπῶς ἔστιν ἀκούειν ἀμφοτέρων, of Homer and Plato, Olymp. Vit.Pl. p.4 W.

2 harmonious

harmonious, χορός Ph. 2.399; ἀστέρων στρατιά ib. 242; συζυγία τῶν τεττάρων δυνάμεων ib. 136; ἑβδομάς, ὀγδοάς, ib. 166, Pythag. ap. Theol.Ar. 54; τετράχορδον, of Diocletian and his associates, Jul. Caes. 315c; π. ἐρωαί, of the song of the Muses, Orac. ap. Porph. Plot. 22: neut. as Adv., π. ᾄδειν Philostr. Im. 2.1.

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No etymology authority pointer is recorded for this lemma yet — an honest gap, not an omission. The etymological dictionaries (Beekes, Chantraine, Frisk) are matched incrementally.

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